from the book Come to Think of It, by Janet Snell |
left to right:
Come to Think of It,
20 x24”
The subject cups her chin in Thinker pose. Color moves the
space around and creates depth an introspective figure might feel. The black
side of the face represents as-yet-unknown thoughts; the black ledge partially
obscures those thoughts, while the white protrudes as if in an attempt to
escape the ledge that’s holding it back. White flows into purple, indicating a
certain moodiness.
The Weight of all
Misery, 16 x 20”
I was trying to integrate the head into the space it
occupies, so I separated the eyes and mouth and moved them into space that was
half abstract and half figurative. The mood of the painting took shape as I
went.
Mouth, 20 x 24”
This painting is a lyrical metamorphosis of a head into a
mouth with pink flames coming from the mouth – the flames add humor. I titled it after a character called The
Mouth, in Jean Genet’s play The Screams.
Delusions, 20 x 24”
This is about delusions we all have about ourselves, not
psychiatric delusions. The girl at the bottom is thinking about the other
figures’ delusions and keeping removed from them.
The Act of Painting, 20x24”
Plug her in and watch her go! The face is partly white, one
eye black, since the artist can never completely know what she’s going to do.
An image comes into my head and the brush leads. Making this painting about
painting allowed for spontaneity.
The Metamorphosis of One Thing into Another, 34x32”
Half the face, hidden, is echoed in the red with its holes,
on the left. The leg bent behind the head – its grays move down into darkness
where the hand tries to reach out. The disjointed body –the arm in the sky
doesn’t really look like one – melting into shapes that are less realistic but
move into the space around them, ties into the theme of metamorphosis.
He Listens to Heart Attack & Vine after a Long Time, 20 X 24”
An homage to Tom Waits, I hope the painting captures the
feel of his music. I got the colors of his face while listening to the music,
and used a picture of him from an album. The pipe funnels music into his head
and the red that surrounds him represents humor. It seems he always has a
cigarette in his hand so that’s why I put that in, and the purple and blue are
his dark side.
Witness with
Apprehensive Mouth, 20x24”
This is about war. There’s a Jimi Hendrix lyric about ‘the land so battered and torn’ that inspired
the image of the brown triangle with the blood on the face. Later on I moved
the gray/white from the figure’s head across the painting to make a veil –what
we can’t see-and then I gave her a serious mouth.
5 comments:
I want to spend more time on this. There is an alchemic quality to the pairings of paintings and words.
Thanks!This is from an article in which Janet explains her choices. She wrote little poems to go with the paintings when we made it into a book and they're quite different.
It's like a whole world.
These paintings are exceptional, and I appreciate the generous commentary -- description, explanation.
Tim Buck
Thank you, Tim! Glad you took a look.
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